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Museum Concept from Past to Present and Importance of Museums as Centers of Art Education

机译:博物馆从过去到现在的观念以及博物馆作为艺术教育中心的重要性

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The present study aims to examine the concept of museum and the transformation of museums to centers of education in its historical development. Museum, as a concept, comes from the 9 muses each possessing a different ability and source of inspiration (Calliope- the muse of epic poetry; Clio-the muse of history etc). Open and enclosed spaces (gardens and inside temples) dedicated to these 9 muses were called museums in Ancient Greece. However, The Museum of Alexandria, established in 4th century B.C, was the first museum that presented collection, exhibition, preservation and classification missions for museums in the historical development. A comprehensive archive was developed in Alexandria by visiting all settlements in the Mediterranean to collect artifacts sometimes through copying sometimes by seizing by means of pillages. In this sense, the Museum of Alexandria is the temple of the thought to bring together all cultural indicators of the world in the same location. Medieval collections were the means to collect cultural treasures and to pursue what is different to display them. With the discovery of the New World and the resulting conquests to faraway lands, not only the land but also the universe of images of The Other was conquered. Museums with their Cabinets of Curiosity, that display everything that is extraordinary and rare, living and nonliving, are exalted to mysterious settings. Along with the Renaissance-the conveyor of the Ancient Greece and the messenger of the modern world view- museums transformed into visual encyclopedias established with a philosophy of classification and documentation rather than sorting the mysterious objects or the living things. In this sense, the museums have started to develop as service facilities that contribute to the progress of the society instead of settings that only collect and store objects. While Palazzo Medici built in 15th century laid the foundations of the modern museum, arts and science started to transform into academic structures. Now, the most precious artifacts of history are presented in the museum setting in a chronological order. The function of object based information usage started to be dominant in the 18th century along with the establishment of the institutional structure and the 19th century brought the provision of services to educate the working class that started to rapidly increase in the cities as a result of industrialization and the museums have obtained the mission of training citizens as well. As a result, museums stopped being the indicators of wealth for rulers and the bourgeois in the history and started to gain importance as educational institutions. Hence, modern museums are settings in which research towards the preservation of cultural heritage is undertaken on one hand and training, publications, knowledge-document centers, performances, meetings, discussions and workshops are provided on the other.
机译:本研究旨在考察博物馆的概念以及博物馆在历史发展中向教育中心的转变。博物馆作为一个概念,来自9个缪斯,每个缪斯具有不同的能力和灵感来源(Calliope –史诗的缪斯; Clio –历史的缪斯等)。专门用于这9种妙法的开放式和封闭式空间(花园和庙宇内部)在古希腊被称为博物馆。然而,建立于公元前4世纪的亚历山大博物馆是历史上第一个对博物馆进行收藏,展览,保存和分类任务的博物馆。亚历山大访问了地中海的所有定居点,从而建立了一个综合档案馆,有时通过抄写有时通过抢劫的方式来收集文物,以收集文物。从这个意义上说,亚历山大博物馆是将世界上所有文化指标集中在同一地点的思想圣殿。中世纪收藏是收集文化珍宝并追求与众不同的展示手段。随着新世界的发现以及对遥远土地的征服,不仅征服了土地,而且征服了“他者”的影像世界。具有好奇心内阁的博物馆,陈列着一切非凡而稀有,有生命和无生命的东西,被提升为神秘的环境。与文艺复兴时期(古希腊的传送带和现代世界观的使者)一起,博物馆转变为视觉分类百科全书,该分类百科全书采用分类和记录的哲学,而不是对神秘物体或生物进行分类。从这个意义上讲,博物馆已开始发展为服务于社会发展的服务设施,而不是仅收集和存储物品的场所。虽然建于15世纪的美第奇宫奠定了现代博物馆的基础,但艺术和科学开始转变为学术结构。现在,历史上最珍贵的文物按时间顺序在博物馆中展出。随着制度结构的建立,基于对象的信息使用功能在18世纪开始占主导地位,并且19世纪带来了服务于教育工人阶级的服务,由于工业化,城市中的工人阶级开始迅速增长博物馆也获得了培训公民的使命。结果,博物馆不再是历史上统治者和资产阶级的财富指标,而开始成为教育机构。因此,现代博物馆是一方面进行文化遗产保护研究,另一方面提供培训,出版物,知识文献中心,表演,会议,讨论和讲习班的场所。

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