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See Creatures

机译:见生物

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f you're a fish, Iori Tomita can see right through you. Or at least he can after he's worked you over in his lab. A lifelong fisherman who studied ichthyology as an undergrad, the Japanese artist uses marine life he receives from fellow fishermen to create what he calls New World Transparent Specimens- sea creatures that have been transformed into DayGlo shells of their former selves. He first saw a sample of a fish that had been turned transparent at a university lecture six years ago, and since then he has used the same preservation technique to make thousands of hypercolored cadavers, which he sells at the Tokyu Hands department store. 1 To produce the specimens, like the lumpfish shown here, Tomita first removes the scales and skin of fish that have been preserved in formaldehyde. Next he soaks the creatures in a stain that dyes the cartilage blue. Tomita uses a digestive enzyme called trypsin, along with a host of other chemicals, to break down the proteins and muscles, halting the process just at the moment they become transparent but before they lose their form. The bones are then stained with red dye, and the brilliant beast is preserved in ajar of glycerin. The extensive production takes five months to a year, but the result is an arresting look at the inner workings of underwater life. 1 The specimens will be on exhibit in May at Tokyo's Design Festa, and mobile apps featuring photos of Tomita's work are planned for release in March. "I want to show people the hidden side of natural beauty that they might miss out on ordinarily," he says. Mission accomplished.
机译:如果您是鱼,富田八里(Iori Tomita)可以直视您。或者至少在他为您在实验室工作过之后,他可以这样做。这位日本画家是一名终生的渔民,他是一名本科生,研究鱼类学,他利用从渔民那里获得的海洋生物来创造他称之为“新世界透明标本”的海洋生物,这些生物已被改造成以前自己的DayGlo贝壳。在六年前的一次大学演讲中,他首先看到了一条变成透明鱼的样本,从那以后,他使用了相同的保鲜技术来制作成千上万只彩色的尸体,并在Tokyu Hands百货商店出售。 1为生产标本,如此处所示的ump鱼,富田首先去除了用甲醛保存的鱼鳞和鱼皮。接下来,他将这些生物浸泡在将软骨染成蓝色的污渍中。富田公司使用一种称为胰蛋白酶的消化酶,以及许多其他化学物质,分解蛋白质和肌肉,仅在它们变得透明但尚未失去其形态时就停止该过程。然后用红色染料将骨头染色,并将灿烂的野兽保存在半开的甘油中。大量的生产需要五个月到一年的时间,但结果却使人着迷于水下生物的内部运作。 1这些标本将于5月在东京的Design Festa展览上展出,带有富田作品照片的移动应用程序计划于3月发布。他说:“我想向人们展示他们通常可能会错过的自然美的隐藏面。”任务完成。

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    《Wired》 |2011年第4期|p.66|共1页
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