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Relocating the Arts in the New Istanbul: Urban Imaginary as a Contested Zone

机译:在新伊斯坦布尔搬迁艺术:充满想象的都市想象

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Parallel to its reconstitution as a global city, Istanbul has experienced an expansion of the arts through the foundation of new institutions, such as museums and galleries, and the dissemination of art events and exhibitions related to the city. The role of the arts and arts institutions in Istanbul's renewal is central to understanding the relationship between the material and immaterial dynamics of this process. The contemporary art world has both invented new strategies for the city's representation, where issues, such as tourism, consumerism, public space, democracy, and identities, are tightly interwoven, while simultaneously revealing conflicts and contestations. In the hands of contemporary artists and arts professionals, the city's "urban imaginary" has become an analytical vehicle that both exposes the tensions of global dynamics and presents the city as spectacle. Thus, this imaginary also serves to document the forces that affect the arts and the city, and a close study of it can enrich our understanding of the reconditioning process.
机译:在重新组建全球城市的同时,伊斯坦布尔通过建立新的机构(例如博物馆和美术馆)以及传播与城市有关的艺术活动和展览,经历了艺术的扩展。艺术和艺术机构在伊斯坦布尔复兴中的作用对于理解这一过程的物质动力与非物质动力之间的关系至关重要。当代艺术界都为城市的代表制提出了新的策略,旅游,消费主义,公共空间,民主和身份等问题紧密地交织在一起,同时揭示了冲突和竞争。在当代艺术家和艺术专业人士的手中,这座城市的“城市想象”已成为一种分析工具,既暴露了全球动态的张力,又将这座城市视为奇观。因此,这个假想也可以用来记录影响艺术和城市的力量,对其进行仔细的研究可以丰富我们对修复过程的理解。

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