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Avoiding the a??Pa?? Word: Political Contexts and Multicultural Music Education

机译:避免a ?? Pa ??词:政治背景与多元文化音乐教育

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Socio-historical contexts are integral to both general and music educational practices. However, when music teacher education candidates ask such questions as, a??How can we engage in musics outside of the accepted canon and talk about these issues in my class without being accused by parents or administrators of being a??political?a??a?? they restrict possibilities for engaging with context meaningfully. Yet students, in their complex and often sophisticated musical lives outside of the formal institute of schooling, carry out these kinds of discussions and understandings with ease and nonchalance. Using the companion lenses of critical race theory and antiracism education, this article explores the reluctance of some music educators to engage those socio-historical contexts deemed political within multicultural and world music, asking: Without such contextualization, how is cross-cultural or intercultural understanding possible?View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/00405841.2012.690296
机译:社会历史环境是普通教育和音乐教育实践不可或缺的一部分。但是,当音乐教师教育候选人提出以下问题时,“我们如何才能在公认的标准之外从事音乐并在课堂上谈论这些问题而又不会被父母或管理者指责为政治”? ?一个??它们限制了有意义地与上下文进行互动的可能性。然而,在正规学校之外的复杂而复杂的音乐生活中,学生会轻而易举地进行这类讨论和理解。本文使用批判种族理论和反种族主义教育的相伴透镜,探讨了一些音乐教育者不愿参与那些在多元文化和世界音乐中被认为具有政治意义的社会历史背景的问题,并提出以下问题:没有这样的背景化,跨文化或跨文化理解将如何发展?可能吗? -4dff56cd6bb1830b“}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/00405841.2012.690296

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