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Scripting Black Gayness: Television Authorship in Black-Cast Sitcoms

机译:编写黑人同性恋脚本:Black-Cast Sitcoms中的电视著作权

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This essay explores the creation of black gay characters within black-cast sitcoms Moesha, All of Us, and Are We There Yet? Using in-depth interviews with the credited writers for three episodes of black-cast sitcoms that feature black gay characters, I examine the ways the writers negotiate the creation of black gay characters within the writers' room. In addition, this essay examines how the closet functions as an organizing logic for the ways black gay characters are imagined within the writers' room, and the industrial logics that prevent black gay characters from reappearing in subsequent episodes. In addition, I argue that the individual writers' autobiographies are important to consider when creating black gay characters for black-cast sitcoms, as they bring their positionality as black (and in one instance a black gay) writers to the episodes they wrote.
机译:本文探讨了黑人情景喜剧Moesha,《我们所有人》和《我们在那里吗》中黑人同性恋人物的创作。通过对三位以黑人同性恋人物为主题的黑色情景喜剧进行的深入采访,笔者对知名作家进行了访谈,从而研究了作家在作家室内如何协商黑人同性恋人物的创作方式。此外,本文还探讨了壁橱如何充当作家房间中黑人同性恋人物的想象的组织逻辑,以及防止黑人同性恋人物在随后的情节中再次出现的工业逻辑。另外,我认为在为黑人情景喜剧创建黑人同性恋人物时,应考虑个人作家的自传,因为他们将黑人作家(有时是黑人同性恋)的地位带入了他们所写的情节中。

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