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Identity work as a response to tensions:A re-narration in opera rehearsals

机译:身份工作是对紧张局势的回应:歌剧彩排的叙事

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This paper explores identity work in the creative setting of an opera company. We focus on how people account for who they are and what they do as they go through the process of preparing to perform an opera. Identity work can occur as a response to internal tensions and we inquire into the kinds of tension that occur for our research participants. We go on to analyse a dramatic event as a form of re-narration and we consider how the re-narration can occur. As a result we seek to make two related contributions to the literature on identity work in the creative industries. First, we elucidate three kinds of internal tension that can elicit on-going identity work by people in creative organisations. Second, we explicate re-narration as an aspect of the process of identity work. In re-narration, the characters of others become reformed so as to fit with a narrative that holds sway in the social context, and as a result the relationship between self and other is affected.
机译:本文探讨了歌剧公司创作环境中的身份工作。我们着重于人们在准备表演歌剧的过程中如何解释自己的身份和所作所为。身份工作可以作为对内部紧张局势的回应,我们调查了研究参与者发生的那种紧张局势。我们继续分析戏剧事件作为一种重新叙述的形式,并考虑重新叙述的发生方式。因此,我们寻求对创意产业中身份工作的文献做出两个相关的贡献。首先,我们阐明了三种内部张力,它们可以激发创意组织中的人们正在进行的身份识别工作。其次,我们将重新叙述作为身份工作过程的一个方面进行阐述。在重新叙述中,他人的性格得到了改造,以适应在社会语境中占主导地位的叙事,结果,自我与他人之间的关系受到影响。

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