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The Cambridge Companion to Popular Fiction

机译:剑桥通俗小说伴侣

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Popular fiction remains in some ways a rather nebulous category: at what point does a "literary" novel become an item of popular literature or a sexually explicit novel become pornographic rather than (or as well as) popular fiction? The chronology in this volume starts with Walter Scott's Waverley of 1814 and continues to Belle de Jour's The Intimate Adventures of a London Call Girl of 2005 {Fifty Shades of Grey appeared too late for inclusion). The contemporary popularity of Scott and later of Dickens equalled and often outshone any of the hysteria we observe today around televised soap operas; today, Scott is rarely read while Dickens seems to achieve more fame through televised adaptations, although there is evidence that the popularity of these leads some (or many?) viewers back into reading the originals. At which point we seem to come full circle since Dickens originally wrote as part of a widely popular printed serialisation culture in fiction from penny dreadfuls to his own novels.
机译:通俗小说在某种程度上仍然是一个模糊的范畴:什么时候“文学”小说成为通俗文学的作品,或者露骨性小说变成色情文学而不是(或者)通俗小说?本书的编年史始于1814年沃尔特·斯科特(Walter Scott)的韦弗利(Waverley),然后延续到佳丽·德·朱尔(Belle de Jour)的《 2005年伦敦应召女郎的亲密历险记》(《灰色阴影五十道》来得太晚了,无法收录)。斯科特(Scott)和后来的狄更斯(Dickens)在当代的流行程度与我们今天在电视肥皂剧中观察到的任何歇斯底里都一样,并且往往胜过它。如今,很少有人阅读斯科特,而狄更斯似乎通过电视改编改版而声名狼藉,尽管有证据表明,这些作品的流行使一些(或许多?)观众重新阅读了原著。从狄更斯最初作为小说中广泛流行的印刷序列化文化的一部分写作以来,我们似乎已经走了一大圈,从小便鬼到他自己的小说。

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