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Cinematic representations of medical technologies in the Spanish official newsreel, 1943-1970

机译:1943年至1970年,西班牙官方新闻纪录片中的医疗技术影像显示

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摘要

NO-DO, the Spanish official newsreel produced by Franco's dictatorship (1939-1975), held a 30-year monopoly over audio-visual information in Spain from 1943 to 1975. This paper reports on an analysis of the coverage of medical technologies by the Spanish Cinematic Newsreel Service, NO-DO, from 1943 to 1970. The study focuses on the changing roles played by cultural representations of medical technologies deployed in NO-DO. Our analysis shows how these representations offered a new space for the legitimization of the regime and, more importantly, played a key role in the attempts to construct and enforce a hegemonic national identity after the Spanish Civil War (1936-1939). During the period of isolationist autocracy that ended in the mid-1950s, the images of medical technologies reinforced the idea of a self-sufficient "national space" and deepened the break with the historical past. Once the international isolation of the regime was overcome in the late 1950s and the 1960s, the representation of medical technologies contributed to establishing a Spanish national identity that mirrored the outside world, the foreign space. Finally, gender representations in NO-DO are also explored.
机译:由弗朗哥专政(1939年至1975年)制作的西班牙官方新闻纪录片NO-DO,在1943年至1975年期间对西班牙的视听信息进行了长达30年的垄断。 1943年至1970年,是NO-DO西班牙电影新闻社,这项研究的重点是NO-DO中部署的医疗技术的文化代表所扮演的不断变化的角色。我们的分析表明,这些表述如何为该政权的合法化提供了新的空间,更重要的是,在西班牙内战(1936-1939年)之后试图建立和加强霸权民族身份的过程中发挥了关键作用。在1950年代中期结束的孤立主义专制时期,医疗技术的图像增强了自给自足的“国家空间”的观念,并加深了与历史过去的突破。一旦在1950年代末和1960年代克服了政权的国际隔离之后,医疗技术的代表就为建立西班牙的国家形象做出了贡献,这种形象反映了外部世界,即外国空间。最后,还探讨了NO-DO中的性别表示形式。

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