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Fictions of Sovereignty: Shakespeare, Theatre and the Representation of Rule

机译:主权小说:莎士比亚,戏剧和统治的表现

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Shakespeare's Henry VI, Part II includes a number of scenes representing the Kent rebellion of 1450, led by Jack Cade. In these, we argue, Shakespeare explores the ways in which claims to legitimate rule are often secured through performances of word, deed and gesture. We examine some of the concerns about drama expressed by political theorists alongside some of the techniques of political dramatists, and argue that a reason for the often tense relationship between drama and politics is this power of the former to make visible the aesthetic and theatrical aspects of the latter. The brilliance of Shakespeare's representation of Cade, we argue, lies in the way in which it holds up the performance of sovereignty for public scrutiny and assessment.
机译:莎士比亚的《亨利六世》第二部分包括许多场景,这些场景代表了杰克·凯德(Jack Cade)领导的1450年肯特叛乱。我们认为,在这些书中,莎士比亚探讨了通常通过言语,行为和手势的表现来确保对合法规则的主张得到保障的方式。我们考察了政治理论家对戏剧的一些担忧以及政治戏剧家的一些技巧,并认为,戏剧与政治之间经常存在紧张关系的原因是前者的这种能力使戏剧的美学和戏剧方面可见。后者。我们认为,莎士比亚代表凯德的光辉之处在于,它可以保持主权的表现,以进行公众审查和评估。

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