Errol morris likes to describe his newest movie, Fast, Cheap and Out of Control, as "the ultimate low-con-movie—a film that utterly resists the possibility of a one-line summary." Trying to define any Errol Morris movie is a slippery business. This obsessive, cerebral, cosmically ironic filmmaker makes one-of-a-kind movies that are often filed under the category "documentary," a rubric that doesn't begin to grapple with their singularity.
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