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Counter-narratives of slavery in the Deep South: the politics of empathy along and beyond River Road

机译:《南方深渊》中关于奴隶制的反叙事:沿河之路及其后方的同情政治

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摘要

The historical institution of slavery is unevenly memorialized across the US's cultural landscape. This unevenness is particularly noticeable in 'Deep South' states such as Mississippi and Louisiana, where cotton and sugar cane plantations once required vast numbers of slaves to economically succeed. While many antebellum plantation sites now function as tourist attractions complete with 'Big House' tours, they often ignore or annihilate the memory of slavery from plantation history. However, not all plantations and museums disregard slavery, and the owners and workers at these sites intentionally employ slavery counter-narratives to evoke empathy in visitors and create a more socially just cultural landscape. This paper examines three sites along and beyond River Road that employ counter-narrative techniques: the Natchez Museum of African-American History and Culture, Frogmore Cotton Plantation, and Whitney Plantation. The paper includes a discussion of each site's narrative tactics and how they stand out from other plantation sites in their representation of slavery. Engaging in growing conversations on the possibilities of empathetic responses to counter-narrative spaces, this paper argues that empathy - while important and possible for many visitors and consumers at these sites of memory -may preclude important political activism and greater solidarity between racial groups.
机译:奴隶制的历史制度在美国的文化景观中受到了不平等的纪念。这种不平衡现象在密西西比州和路易斯安那州等“深南”州尤为明显,那里的棉花和甘蔗种植园曾经需要大量奴隶才能在经济上取得成功。尽管许多前战场种植园现在已成为具有“大房子”之旅的旅游胜地,但它们常常无视或消灭了种植园历史上对奴隶制的记忆。但是,并非所有的种植园和博物馆都忽视奴隶制,这些场所的所有者和工人有意采用奴隶制的反叙词来唤起游客的同情心,并创造出更加社会公正的文化景观。本文考察了沿河道及其外围使用反叙事技术的三个地点:纳奇兹非裔美国人历史和文化博物馆,弗罗格莫尔棉花种植园和惠特尼种植园。本文讨论了每个地点的叙事策略,以及它们如何在代表奴隶制的其他种植园中脱颖而出。本文就对叙事空间的移情反应的可能性进行越来越多的讨论,认为移情虽然对这些记忆地点的许多访客和消费者来说是重要且可能的,但可能会排除重要的政治行动主义和种族群体之间的更大团结。

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