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Ethnic Minorities' Cultural and Artistic Practices as Forms of Political Expression: A Review of the Literature and a Theoretical Discussion on Music

机译:政治表达形式的少数民族文化艺术实践:文学评论与音乐理论探讨

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摘要

Looking at the current state of the literature, political scientists and sociologists have neglected the political relevance of ethnic and migrant minorities' popular cultural and artistic productions to concentrate on more conventional forms of political participation. In the first section of this paper, we provide a theoretical framework to this special issue by examining the links between music and politics. We underline several elements related to music which potentially have political significance. We discuss how music can provide/ascribe identities and a sense of place. In the second part of the paper, we attempt to explain why ethnic minorities choose music as a means of political expression. To this end, we present and subsequently critique a typology of political action in popular music developed by the American political scientist Mark Mattern. The paper concludes by stressing the urgent need to develop research on the topic and how this special issue makes its own contribution to this agenda.
机译:纵观目前的文学状况,政治学家和社会学家已经忽略了少数民族和移民少数族裔大众文化和艺术作品的政治意义,而将注意力集中在更常规的政治参与形式上。在本文的第一部分中,我们通过研究音乐与政治之间的联系为这一特殊问题提供了理论框架。我们强调了与音乐相关的一些元素,这些元素可能具有政治意义。我们讨论音乐如何提供/赋予身份和位置感。在本文的第二部分,我们试图解释为什么少数民族选择音乐作为政治表达的手段。为此,我们提出并随后批评由美国政治学家马克·马特恩(Mark Mattern)开发的流行音乐中政治行为的类型学。最后,本文强调了迫切需要对该主题进行研究,以及该特刊如何对这一议程做出自己的贡献。

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