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Wharfedale Diamond 230

机译:沃夫代尔钻石230

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摘要

Diamonds may be forever, but those of the Wharfedale variety have so far lasted 31 years, as it was in 1984 that the original tiny bookshelf model first appeared in UK shops. Since then the loudspeaker has gone through numerous incarnations, with each successive line putting the accent on getting a big sound from a small box. However, everything in the modern world seems to be getting bigger - and that includes the Diamond in the shape of the £500 'intermediate' floorstander reviewed here. So while Wharfedale still makes small standmount Diamonds (its 210s are the direct descendant of the original design), the franchise has now grown to include everything from centre speakers to really quite large floorstanders. We have witnessed the rise of a new generation of small floorstanders from the likes of Q Acoustics [HFN Feb'14] that offer the appeal of deep, earthy bass at a price previously associated with bookshelf designs. It's an attractive formula, but notoriously difficult to get right because of the compromises that a larger, less rigid, cabinet introduces.
机译:钻石可能永远存在,但是Wharfedale种类的钻石迄今已经持续了31年,直到1984年,最初的小书架模型才首次出现在英国商店中。从那时起,扬声器经历了无数次的转变,每条连续的线都强调从小盒子中获得大声音。但是,现代世界中的一切似乎都在变大,包括以此处评测的500英镑“中级”落地式地板形式出现的钻石。因此,尽管Wharfedale仍然生产小型立式钻石(其210年代是原始设计的直接后代),但该特许经营权现在已经增长,涵盖了从中置扬声器到非常大的落地式音箱的所有产品。我们目睹了Q Acoustics [HFN Feb'14]之类的新一代小型落地式音箱的兴起,这些音箱以原先与书架设计相关的价格提供了深沉的低音效果。这是一个有吸引力的公式,但是众所周知,由于更大,更不坚固的内阁引入了一些折衷方案,因此很难正确设置。

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  • 来源
    《Hi-Fi News》 |2015年第5期|68-6971|共3页
  • 作者

    Nick Tate;

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