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Apocalypse yesterday: Posthumanism and comics in the Anthropocene

机译:昨天的天启:人权主义和人类主义的漫画

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It is widely recognised that the growing awareness that we are living in the Anthropocene - an unstable geological epoch in which humans and their actions are catalysing catastrophic environmental change - is troubling humanity's understanding and perception of temporality and the ways in which we come to terms with socio-ecological change. This article begins by arguing in favour of posthumanism as an approach to this problem, one in which the prefix 'post' does not come as an apocalyptic warning, but rather signals a new way of thinking, an encouragement to move beyond a humanist perspective and to abandon a social discourse and a worldview fundamentally centred on the human. The article then explores how the impending environmental catastrophe can be productively reimagined through graphic narratives, arguing that popular culture in general, and comics in particular, emerge as productive sites for geographers to interrogate and develop posthuman methodologies and narratives. Developing our analysis around two comics in particular - Here and Mad Max: Fury Road - we show how graphic narrative can help us to move beyond the nature-society divide that is rendered anachronistic by the Anthropocene.
机译:众所周知,我们居住在人体中的不稳定意识 - 一种不稳定的地质时代,其中人类及其行为正在催兴灾难性的环境变化 - 是令人不安的人文的理解和对临时的看法以及我们来的方式和我们来的方式社会生态变革。本文始于争论主题作为解决这个问题的方法,其中前缀“帖子”不是作为一个世界末日的警告,而是表示一种新的思维方式,鼓励超越人文的观点和超越人民观点的鼓励放弃社交话语和世界观,基本上以人为中心。然后,该文章探讨了即将通过图形叙述能够高兴地恢复迫切的环境灾难,争论流行的文化,特别是漫画,尤其是地理学家询问和开发生育问题和叙事的生产网站。特别是围绕两个漫画的分析 - 这里和Mad Max:愤怒的道路 - 我们展示了图形叙述如何帮助我们超越自然社会的分裂,这些分裂是人类人为的鸿沟。

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