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Chapter 1 The Mekong Imaginary: From Apocalypse Then to Anthropocene Now

机译:第1章湄公蓝假想:从天启的那时到了人为

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The Mekong River is the 12th longest river in the world, around 4500 km, and until recently has been remarkable among its class of rivers for not being "developed." Though intensely used by people who live near, on, and in the Mekong, and though several substantial irrigation projects historically have structured portions of the Mekong Basin and the Mekong Delta, until recently the Mekong has been free of major hydroelectric dams and regional irrigation projects. Just how this relatively undeveloped but highly used river has been imagined by observers can be summarized by what cultural studies specialists call an "imaginary" - a complex of perceptions and expressions that collectively represent, in this case, a geographical phenomenon. The 1978 American film Apocalypse Now, about the Vietnam War, provided an enormously influential depiction of a long stretch of the Mekong - by way of its fictional stand-in, the Nung River, on which most of the action in the film took place. This film was deeply influenced in turn by the classic novella Heart of Darkness by the Polish-English writer Joseph Conrad - what Edward Said has decisively explained as an important anti-imperialist imperialist work of literature. In the 1990s and the first decade of this century, several dam-building projects, planned and now being constructed, have begun to domesticate the river for high-level exploitation. These projects and the responses to them have also encouraged a regional understanding of the Mekong, on a larger scale and as a basin and region rather than as a single thread of access into a place of unmitigated darkness. Paradoxically, hydroelectric dam projects and visions for regional exploitation of the Mekong - and struggles over who gets a say and how to manage that exploitation - have also encouraged regional approaches to managing fisheries, riverine environmental, and conservation efforts. This chapter discusses these collective imaginings with the purpose of encouraging a more reflective understanding of a geography that is often taken for granted in efforts to manage the Mekong.
机译:湄公河是世界上12最长的河流,4500左右公里,直到最近一直以其一流的河流中显着的不是“发达”。虽然强烈的使用谁住在附近,对人民,在湄公河,虽然一些实质性的灌溉项目历史上湄公河流域和湄公河三角洲的结构部分,直到最近湄公河已免费大水坝和地区灌溉项目。一个复杂的感知和表达共同表示,在这种情况下,地理现象 - 只是如何发展相对落后,但使用频率高的河流已经观察员想象可以通过什么文化研究专家所说的“虚”来概括。 1978年的美国电影现在启示,关于越南战争,所提供的湄公河的一个长长的巨大影响力的描述 - 它的虚构的替身,侬族的河,在大多数在影片的动作发生的方式。什么萨义德果断文学的一个重要的反帝国主义帝国主义的工作解释了 - 这部电影又被黑暗的经典中篇小说心由波兰英国作家康拉德深受影响。在20世纪90年代和本世纪的第一个十年,几个水坝建设项目,有计划,现在正在建设中,已经开始驯养高层次开发的河流。这些项目,并给他们的答复还鼓励湄公河的区域谅解,在更大的范围,并为流域及区域而不是一个单一访问线程进入一个地方十足的黑暗。奇怪的是,水电站项目和湄公河区域开发愿景 - 和斗争在谁得到的发言权和如何管理开发 - 也鼓励区域办法管理渔业,河流环境和保护工作。本章讨论了令人鼓舞的,往往是理所当然的努力来管理湄公河地理学更能反映理解的目的,这些集体想象。

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