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Fujifilm's HD 'Glass' Makes a Difference

机译:富士胶片的高清“玻璃”大为不同

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摘要

When Media Source made the leap to high-definition in April 2008, we purchased a Fujifilm (formerly Fujinon) HA16×6.3 BERM HD lens to use with our P2-based Panasonic HD cameras. We also installed an HD edit suite with an Apple Mac Pro with Final Cut Pro, along with an 8 TB storage system. What convinced me to purchase the Fujifilm lens was a number of online reviews by DPs who had experience with it. The consensus was that for smaller HD production houses such as mine, this lens would give you the most bang for the buck, as it's almost like having two lenses in one. It's a wide enough lens and also a good everyday lens that's long enough to move in on close-ups.
机译:当Media Source在2008年4月迈向高清时,我们购买了Fujifilm(以前为Fujinon)HA16×6.3 BERM HD镜头,用于我们基于P2的Panasonic HD摄像机。我们还安装了带有带有Final Cut Pro的Apple Mac Pro和8 TB存储系统的高清编辑套件。促使我购买Fujifilm镜头的是很多有其经验的DP在线评论。人们的共识是,对于像我这样的小型高清制作公司,这款镜头将给您带来最大的收益,因为这就像是将两个镜头合而为一。这是一个足够宽的镜头,也是一个不错的日常镜头,足够长,可以在特写镜头中移动。

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  • 来源
    《TV technology》 |2010年第18期|p.3336|共2页
  • 作者

    Joe Incardona;

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