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Rethinking the Black Box in Architecture Design Studio

机译:重新思考在建筑设计工作室的黑匣子

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Design as a critical action can be defined as a concrete-utilitarian construction process and a state-related symbolic ritual. The process of design is defined by the abstraction area, which is accompanied by abstract forms of representation for the physical environment in a built environment and the response to problems. Black Box is defined as tool, system, or object that in art and science is evaluated by inputs and outputs and does not include any internal information. The Black Box problem, which is part of the architectural design process, has been reconstructed as a critical stance to the closed and implicit architectural production process, supporting open thought to the end but formally designing houses that remain faithful to this black box. Hence, this article is an example of a physical and semantic representation production with an emphasis on design as a critical action and metaphor. This article, which presents the black box problem through a theoretical perspective and architectural design studio examples, focuses on the semantic and formal representation of all conditions of a cube. This aspect aims to provide a creative cross section from the potential of infinite design.
机译:设计作为关键行动可以被定义为一个具体的施工过程和具有国家相关的象征性仪式。设计的过程由抽象区域定义,抽象区域伴随着建筑环境中物理环境的抽象形式的表示和对问题的响应。黑匣子被定义为刀具,系统或对象,通过输入和输出来评估文章和科学,并且不包括任何内部信息。这是建筑设计过程的一部分的黑匣子问题已被重建为封闭和隐含的架构生产过程的关键立场,支持开放的思想到底,但正式设计仍然忠于这种黑匣子的房屋。因此,本文是物理和语义表示生产的示例,其重点是设计作为关键行动和隐喻。本文通过理论透视和建筑设计工作室示例,专注于立方体所有条件的语义和正式表示。这方面旨在提供来自无限设计的潜力的创意横截面。

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