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Gender Differences in Music Content Learning using a Virtual Platform in Secondary Education

机译:在中学教育中使用虚拟平台在音乐内容学习中的性别差异

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Current education outlooks concur on the need to design effective learning settings adapted to the digital environment which students live in. The rapid development of software and computer tools has generated new teaching and learning spaces (Gamage, Tretiakov, & Crump, 2011). Leaving aside the issues derived from their implementation in the classroom (), this study looks at the use of a virtual education platform for the subject of Music in Compulsory Secondary Education (ESO). The specific focus is to analyse how the music contents contemplated in Decree 38/2015 from May 22, which establishes the curriculum in Compulsory Secondary Education (ESO) and the baccalaureate in Cantabria, can be covered in this space, as well as to examine gender differences in the attainment of these contents. To this end, we began with the current curriculum, following a mixed research design that on the one hand included a semi-structured interview with the teacher, and on the other, a questionnaire administered to 93 students of Year 1 of ESO in a public school of the Autonomous Community of Cantabria. The results obtained help justify the genesis and teaching purpose of the education platform, and at the same time present the perception and actual appropriateness of this setting for participants. The conclusions evidence that the gender differences found are the consequence of the attractive design of the activities, a circumstance that fosters greater motivation in the subject of Music in ESO.
机译:当前的教育观点一致认为,需要设计有效的学习环境以适应学生所居住的数字环境。软件和计算机工具的迅速发展产生了新的教学空间(Gamage,Tretiakov和Crump,2011年)。撇开在课堂上实施这些问题所引发的问题,本研究着眼于虚拟教育平台在义务中学音乐(ESO)中的应用。具体的重点是分析如何在5月22日发布的第38/2015号法令中涵盖了音乐内容,该法令规定了义务中等教育(ESO)和坎塔布里亚的学士学位课程的建立,并研究了性别这些内容在实现上的差异。为此,我们从当前课程开始,采用了混合研究设计,一方面包括对老师的半结构化访谈,另一方面,对公众对ESO 1年级的93名学生进行了问卷调查坎塔布里亚自治社区学校。获得的结果有助于证明该教育平台的起源和教学目的,同时也为参与者提供了该设置的感知和实际适用性。结论表明,发现的性别差异是活动设计吸引人的结果,这种情况在ESO中激发了音乐学科的更大动机。

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