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The New Soviet City and the Role of Cultural Work in Identity Construction of Migrant Workers (Case Study: Victoria City, Romania)

机译:新苏维埃城和文化工作在农民工身份建设中的作用(案例研究:罗马尼亚维多利亚市)

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Problem statement and purpose of study According to Kotkin (1995), the building of the new socialist cities served, apart from the geopolitical, demographic and industrial objectives, as a micro political process of creating the new man. Soviet concepts of urban planning imagined, almost mythically, how the whole of society would change. Following the slogan “Build a plant and civilization will follow”, like Magnitogorsk, Nova Hutě, Dimitrovgrad's or Visaginas, the birth of Victoria City, due to the internal mobility of workers, remains one of the most interesting social experiments. This issue however is still under addressed in the Romanian literature, the most recent debates being those of the 70s. The aim of this case study lies in trying to observe the means by which, in the absence of a common history, traditions and customs, the socialist powers tried to ensure the integration of migrants into the new community and their identity reconstruction. In this new space of socialism, for newcomers such concepts as evolution, reconfiguration, belonging, and redefinition become key elements. How can you have an identity when living in a new city with no past, no traditions and customs? Methods This article addresses the role of “cultural work” in the construction of a sense of belonging to the newly created community. Therefore, it will analyse documents from the local archives in combination with the analysis of a series of personal photos of the first internal migrants in Victoria. Results and conclusions Manifested in various forms, from the production and interpretation of music, professional dancing, theatre, painting and sculpture, this kind of proletkul was meant to be a substitute for the lack of a genuine tradition, producing a new social lifestyle and thus a new identity. In this respect, apart from their ideological pattern, our analysis of relevant personal photos suggests the conspicuou s role of socialization as a tool for transmitting values and behaviors, underlying the construction of identity in a new social context. Although the ideological lines imposed what Clark (1993) called “the theatralization of everyday life under socialism” (p.35), it will be interesting to observe, in a further investigation, how far the ideological practices overlap with migrant's informal life.
机译:问题陈述和研究目的根据Kotkin(1995)的观点,建设新的社会主义城市,除了地缘政治,人口统计学和工业目标之外,还作为创造新人的微观政治过程。苏联的城市规划概念几乎是神话般地幻想着整个社会将如何变化。像Magnitogorsk,NovaHutě,Dimitrovgrad's或Visaginas这样的口号“建立工厂,文明将随之而来”,由于工人内部的流动性,维多利亚市的诞生仍然是最有趣的社会实验之一。然而,罗马尼亚文学仍未解决这个问题,最近的辩论是70年代的辩论。本案例研究的目的在于试图观察在没有共同的历史,传统和习俗的情况下,社会主义力量试图确保移民融入新社区并重建其身份的手段。在这个社会主义的新空间中,对于新来者而言,诸如进化,重新配置,归属和重新定义等概念成为关键要素。在没有过去,没有传统和习俗的新城市中生活时,您如何拥有自己的身份?方法本文探讨“文化工作”在建立新创建社区的归属感中的作用。因此,它将结合来自维多利亚州首批内部移民的一系列个人照片的分析来分析本地档案中的文件。结果与结论从音乐的生产和诠释,专业的舞蹈,戏剧,绘画和雕塑以各种形式体现出来的这种无产阶级,可以代替真正的传统,产生一种新的社会生活方式,从而一个新的身份。在这方面,除了他们的意识形态模式,我们对相关个人照片的分析表明,社会化作为传播价值和行为的工具的显着作用,在新的社会背景下构建了身份。尽管意识形态强加了克拉克(Clark,1993)所说的“社会主义下的日常生活的戏剧化”(第35页),但在进一步的研究中,观察到意识形态实践与移民的非正式生活有多大重叠,将是很有趣的。

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