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Sakha Music: Selling 'Exotic' Europeanness in Asia and Asianness in Europe

机译:萨哈音乐(Sakha Music):在亚洲销售“异国情调”的欧洲音乐和在欧洲的亚洲音乐

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In this paper?I compare strategies to sell Sakha music in different countries over a ten-year period with a particular emphasis on 2005–2007. due the fact that local income from performing and selling albums is not sufficient for living the artists from the republic of Sakha are trying to perform as much abroad as possible. When touring abroad, the music and performances have changed over time depending on the region. Sakha artists attempt to respond to the expectations of the audience and modify their program accordingly. In a period from the late 1990s to 2007, the same artists have switched from pop to rock to folk music, using different languages and different costumes, performing as Asian or European artists. comparing these strategies, one can see how Sakha musicians use cultural stereotypes of foreign audiences for economic purposes.
机译:在本文中,我比较了十年间在不同国家/地区销售萨哈音乐的策略,特别是2005-2007年。由于来自唱片销售和专辑销售的当地收入不足以维持萨哈共和国的艺术家的生活,他们试图在国外尽可能多地演出。在国外旅行时,音乐和表演会随着时间的流逝而发生变化,具体取决于区域。萨哈艺术家试图回应观众的期望并相应地修改他们的节目。从1990年代后期到2007年,同一位艺术家从流行音乐到摇滚音乐再到民间音乐,使用不同的语言和不同的服饰,担任亚洲或欧洲艺术家的演出。比较这些策略,可以看到萨哈族音乐家如何将外国观众的文化刻板印象用于经济目的。

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