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Narrativity and Textuality in the Study of Stories

机译:故事研究中的叙事性与文本性

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This paper seeks to investigate some of the defining elements of narrative. The underlying assumption of my discussion is that the terms "narrative" and "story" do not refer to clearly defined, self-enclosed genres. Rather, they are part of a spectrum which embraces all forms of texts. Similarly, narratives and stories are not independent discourses but rather are an integral part of virtually all forms of discourse, be it day-to-day conversation or more specialized discourses. In order to analyze the relationship between narratives and other modes of discourse, we introduce the concept of narrativity. Narrativity refers to a collection of textual attributes. All texts exist along a continuum of greater or lesser narrativity, depending on the number and prominence of the narrative attributes they contain. When we refer to a text as a story, we mean that it contains a critical mass of narrativity. Most theorists of narrative have defined narrativity purely in terms of "dynamism" - that is, the extent to which a text portrays transition and change. To this I have added the quality of "specificity". Specificity refers to the extent to which a text focuses on a particular time or place, a unique event, or individual people and objects. Many if not most texts contain a certain degree of narrativity. We established, however, that in order to be considered a story the text must present a sequence of at least two interrelated events that occurred once and only once in the past. In other words, a story must have a certain degree of dynamism in that it portrays the transition from at least one event to another. It must also have specificity at least to the degree that the text narrates events that happened at a fixed time in the past. This theoretical framework allows us to chart the relationship between different types of texts within a single discourse. It also gives us a vocabulary for discussing different parts of more complex narratives which often contain elements of varying narrativity. The paper then goes on to discuss the concept of narrative structure, arguing that narrative structure is not an inherent attribute of narrative texts but a framework that the reader imposes on the text in order to make it intelligible in terms of other narratives. The structure which the reader abstracts from a given narrative will be heavily dependent on the context of the narrative with in a wider discourse.
机译:本文旨在研究叙事的一些定义要素。我的讨论的基本假设是,“叙事”和“故事”一词未指明确定义的,自我封闭的体裁。相反,它们是包含所有形式的文本的频谱的一部分。同样,叙事和故事不是独立的话语,而是几乎所有形式的话语的组成部分,无论是日常对话还是更专业的话语。为了分析叙事与其他话语方式之间的关系,我们引入了叙事概念。叙述性是指文本属性的集合。所有文本都以或多或少的叙述性连续存在,这取决于它们所包含的叙事属性的数量和重要性。当我们将文本称为故事时,意味着它包含了很多叙事性。多数叙事理论家纯粹根据“动态”来定义叙事性,也就是说,文本描述过渡和变化的程度。为此,我添加了“特异性”的质量。特殊性是指文本集中于特定时间或地点,独特事件或个人和对象的程度。许多(如果不是大多数)文本包含某种程度的叙述性。但是,我们确定,为了被认为是一个故事,文本必须呈现一系列至少两个相互关联的事件的序列,这些事件在过去仅发生一次。换句话说,一个故事必须具有一定的活力,因为它描绘了从至少一个事件到另一个事件的过渡。它也必须至少在一定程度上具有特殊性,以使文本叙述过去在固定时间发生的事件。这种理论框架使我们能够在单个话语中绘制不同类型文本之间的关系。它还为我们提供了一个词汇,用于讨论更复杂的叙事的不同部分,这些叙事通常包含不同的叙事元素。然后,论文继续讨论叙事结构的概念,认为叙事结构不是叙事文本的固有属性,而是读者强加于文本的框架,以使其在其他叙事方面可理解。读者从给定叙事中抽象出来的结构将在很大程度上取决于叙事的上下文。

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