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Ideologie, ‘egte' norme en literêre taalhandelinge

机译:意识形态,“真实”规范和文学语言行为

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For many years text-immanent approaches to literature have dominated the scene of Afrikaans literary criticism. This article adds a voice to the ‘spontaneous' discourse in which ethical norms (especially socio-political guidelines), too, come into play when a literary text is studied. Since the context in which a text is written and read is of great importance in such an approach, speech act theory is used in order to determine the intentions (illocutions) of the writer in the texts, as well as the reactions (perlocutions) of readers to the text. The purpose of this is mainly to establish whether critique of ideology manifests itself in speech acts directed towards freedom and dignity for all people. On the other hand there may also be signs of unconscious ideological illocutions in the contradictions which occur within or between the different levels of communication (macro, meso and micro). These contradictions are related to socio-political contradictions which are repressed within the South African community. In order to illustrate this kind of approach, three novels of Etienne van Heerden are discussed, viz. Om te awol (1984), Toorberg (1986) and Casspirs en Campari's (1991).
机译:多年以来,文本固有的文学方法主导了南非荷兰语文学批评的领域。本文为“自发性”话语增色,在研究文学作品时,道德规范(尤其是社会政治指导方针)也将在其中发挥作用。由于在这种方法中书写和阅读文本的上下文非常重要,因此使用言语行为理论来确定作者在文本中的意图(言语)以及对文本的反应(言语)。读者阅读本文。这样做的主要目的是确定意识形态的批判是否在针对所有人的自由与尊严的言语行为中体现出来。另一方面,在不同的交流水平(宏观,中观和微观)之间或之间发生的矛盾中,也可能存在意识上的意识障碍。这些矛盾与南非社区内被压制的社会政治矛盾有关。为了说明这种方法,讨论了艾蒂安·范·海登的三本小说。 Om te awol(1984),Toorberg(1986)和Casspirs en Campari(1991)。

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