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Television Directors' Visual Focus on Sport Games: An Eye-Tracking Study

机译:电视导演对体育比赛的视觉关注:一项眼动研究

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With the advent of digital media, live television sports broadcast became an important training for future sports communication professionals. Sports TV directors will usually direct all broadcast sports visual contents, in the training of student (future) sports TV directors, they must first have solid background knowledge of the sports itself, be familiar with sports TV directing and their sports onscreen visual focus should be the most important aspect of all. The current study is an exploratory and pioneering eye-tracking study in sports communication that combined sports TV directing with eye-tracking methodology, examining the visual focus of sport TV directors on volleyball games, with a Cognitive Load theoretical framework. It attempts to fill the gap in the sports communication and education literature, comparing and analyzing the differences between senior and junior students with sports TV directing experiences, examining their visual focus of the Business Enterprise Volleyball Games. Results found that (1) Visual focus differences were found among senior and junior student sport TV directors. The eyes of senior students, with more than two years of sports and games training, scanned at a faster speed than junior students; (2) Visual focus of senior students were more detailed as they focused on sports athletes' movement and close-up shots; (3) Panoramic shots of sports games allows TV directors to have an overall visual pace and a better interpretation of the game. Application of the cognitive load theory can further explain the differences in visual focus among the senior and junior students. The more sports expertise, familiarity with the players they have in their long term memory, the more onsite performance and observation they would have in handling the complexity of the game. Results of the current study served as a benchmark for future research and contributed to the education and training of sport communicators.
机译:随着数字媒体的到来,体育电视直播已经成为未来体育传播专业人士的重要培训。体育电视导演通常会指导所有广播的体育视觉内容,在训练学生(未来)体育电视导演时,他们必须首先具有体育本身的扎实背景知识,熟悉体育电视的导演,并且他们的体育屏幕视觉焦点应该是最重要的方面。当前的研究是体育传播中探索性和开创性的眼动追踪研究,该研究将体育电视导演与眼动追踪方法相结合,以认知负荷理论框架研究了体育电视导演在排球比赛上的视觉焦点。它试图填补体育传播和教育文献中的空白,比较和分析具有体育电视导演经验的高中生和中学生之间的差异,并检查他们在企业排球比赛中的视觉焦点。结果发现:(1)在高中和初中体育电视导演之间发现了视觉焦点差异。经过两年以上体育和游戏训练的高年级学生的眼睛比初中生的眼睛扫描的速度更快; (2)高年级学生的视觉焦点更加详细,因为他们专注于体育运动员的运动和特写镜头; (3)体育游戏的全景拍摄可使电视导演拥有整体的视觉节奏并更好地诠释游戏。认知负荷理论的应用可以进一步解释高年级和初中学生在视觉焦点上的差异。体育专业知识越多,他们在长期记忆中对球员的熟悉程度越高,他们在处理游戏复杂性上的表现和观察就越多。本研究的结果成为未来研究的基准,并为体育传播者的教育和培训做出了贡献。

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