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Teaching medicine through film: Wiseman's medical trilogy revisited

机译:通过电影教学医学:怀斯曼的医学三部曲

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Between the late 1960s and early 1980s, Frederick Wiseman filmed hundreds of hours in an emergency department, intensive care unit and asylum. These films recorded events as they happened without rehearsal and narration. Cinema and Medicine meet each other in feature fiction film and in documentary format. Showing films in hospitals is revealing for both the unexpected audience but also the medical establishment. This paper revisits Wiseman’s edited but explicit films and their revelation of the complexity of care in this era in the United States. Although they offer a narrow view of medical institutions and the issue of informed consent later became problematic, the films provide an intriguing glimpse of US healthcare and decision making. These films are largely unknown but would be an invaluable resource in a masterclass on medical ethics in urgent care and end-of-life decisions. Despite their flaws, Wisemans’ medical films have a significant educational value. Each documentary can be used in a masterclass on medical ethics. The films provide ample opportunities to discuss core issues in healthcare, professional interactions, and decision making in critically ill patients.
机译:在1960年代末至1980年代初,弗雷德里克·怀斯曼(Frederick Wiseman)在急诊室,重症监护室和庇护所拍摄了数百小时的影片。这些电影在没有彩排和旁白的情况下记录了事件的发生。电影院和医学会以故事片和纪录片形式相遇。在医院放映电影不仅对意外的观众,而且对医疗机构都具有启示作用。本文回顾了怀斯曼(Wiseman)剪辑但明确的电影,以及它们对美国这个时代护理复杂性的启示。尽管它们提供了对医疗机构的狭view视野,并且事后知情同意的问题后来成为问题,但这些电影还是让人对美国的医疗保健和决策产生了浓厚的兴趣。这些影片在很大程度上未知,但是在紧急护理和临终决策中,医学伦理学的大师班将是宝贵的资源。尽管存在缺陷,Wisemans的医学电影仍具有重要的教育价值。每部纪录片均可用于医学伦理学的大师班。这些影片为讨论重症患者的医疗保健,专业互动和决策提供了充足的机会。

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