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On Teaching Composition

机译:论教学作文

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I address composition instruction at the graduate level in terms of both intuitive guidance and the teaching of craftsmanship, with illustrations from lessons with recent students. I stress the importance of traditional training, review strengths and weaknesses of Columbia University's graduate composition program, and discuss a seminar that connects composition to relevant issues in psychoacoustics and music cognition.View full textDownload full textKeywordsOriginality, Craftsmanship, Exercises, Cognition, ConcertsRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/07494467.2012.725814
机译:我在研究生水平上以直观的指导和手工艺的教学来介绍作文指导,并附有近期学生的课程插图。我强调传统培训的重要性,回顾哥伦比亚大学研究生作曲计划的优缺点,并讨论一个研讨会,将作曲与心理声学和音乐认知中的相关问题联系起来。查看全文下载全文关键字原始性,工艺,锻炼,认知,音乐会相关变量var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/07494467.2012.725814

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  • 来源
    《Contemporary Music Review》 |2012年第4期|291-296|共6页
  • 作者

    Fred Lerdahl;

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  • 正文语种 eng
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  • 入库时间 2022-08-17 13:08:42

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