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Violence at the Box Office: Considering Ratings, Ticket Sales, and Content of Movies

机译:票房暴力:考虑收视率,票务销售和电影内容

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摘要

The negative effects of violent content in movies have recently been a hot topic among both researchers and the general public. Despite growing concern, violence in movies has persisted over time. Few studies have examined why this pattern continues. To fill this gap in the literature, we examine how Motion Picture Association of America (MPAA) movie rating descriptors predict ticket sales of 2,094 movies from 1992 to 2012. We test the validity of three theoretical models: (1) the reflective model, (2) the reactance model, and (3) the market model. We find that violent content is linked neither to violence in the broader U.S. culture (i.e., the reflective model) nor to a psychological reactance by adolescents (i.e., the reactance model). Rather, we find, especially among PG-13 (parents strongly cautioned) movies, that violent content leads to increased ticket sales, suggesting that market demand (i.e., audience preferences) is responsible for continued violent content. We discuss the implications of our findings.
机译:电影中暴力内容的负面影响最近成为研究人员和公众的热门话题。尽管人们越来越担心,但电影中的暴力行为仍在持续发展。很少有研究检查这种模式为什么会持续下去。为了填补文献中的空白,我们研究了美国电影协会(MPAA)电影评分描述符如何预测1992年至2012年之间2,094部电影的票房销售。我们测试了三种理论模型的有效性:(1)反射模型,( 2)电抗模型,和(3)市场模型。我们发现暴力内容既不与广泛的美国文化中的暴力相关(即反思模式),也不与青少年的心理反应(即反应模式)相关。相反,我们发现,尤其是在PG-13(强烈警告父母)的电影中,暴力内容导致门票销售增加,这表明市场需求(即观众的喜好)是持续暴力内容的原因。我们讨论了研究结果的含义。

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