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Mixed Chroma Sampling-Rate High Efficiency Video Coding for Full-Chroma Screen Content

机译:用于全色度屏幕内容的混合色度采样率高效视频编码

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Computer screens contain discontinuous-tone content and continuous-tone content. Thus, the most effective way for screen content coding (SCC) is to use two essentially different coders: a dictionary-entropy coder and a traditional hybrid coder. Although screen content is originally in a full-chroma (e.g., YUV444) format, the current method of compression is to first subsample chroma of pictures and then compress pictures using a chroma-subsampled (e.g., YUV420) coder. Using two chroma-subsampled coders cannot achieve high-quality SCC, but using two full-chroma coders is overkill and inefficient for SCC. To solve the dilemma, this paper proposes a mixed chroma sampling-rate approach for SCC. An original full-chroma input macroblock (coding unit) or its prediction residual is chroma-subsampled. One full-chroma base coder and one chroma-subsampled base coder are used simultaneously to code the original and the chroma-subsampled macroblock, respectively. The coder minimizing rate-distortion (R-D) is selected as the final coder for the macroblock. The two base coders are coherently unified and optimized to get the best overall coding performance and share coding components and resources as much as possible. The approach achieves very high visual quality with minimal computing complexity increment for SCC, and has better R-D performance than two full-chroma coders approach, especially in low bitrate.
机译:电脑屏幕包含不连续音内容和连续音内容。因此,屏幕内容编码(SCC)的最有效方法是使用两个基本不同的编码器:字典熵编码器和传统的混合编码器。尽管屏幕内容最初是全色度(例如YUV444)格式,但是当前的压缩方法是先对图片的色度进行子采样,然后使用经过色度二次采样(例如YUV420)的编码器压缩图片。使用两个色度二次采样的编码器无法实现高质量的SCC,但是使用两个全色度编码器对于SCC来说是过大且效率低下的。为了解决这一难题,本文提出了一种用于SCC的混合色度采样率方法。对原始的全色度输入宏块(编码单元)或其预测残差进行色度二次采样。同时使用一个全色度基本编码器和一个色度二次采样的基本编码器分别对原始宏块和色度二次采样的宏块进行编码。选择最小化速率失真(R-D)的编码器作为宏块的最终编码器。两个基本编码器被统一地统一和优化,以获得最佳的整体编码性能,并尽可能共享编码组件和资源。与两个全色度编码器方法相比,该方法以SCC的最小计算复杂性增量实现了很高的视觉质量,并且具有更好的R-D性能,尤其是在低比特率下。

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