The now late great Max Velthuijs was filmed in April 2004 discussing his work with Victoria de Rijke and Howard Hollands, who began the interview expecting Max to be working under certain artistic and cultural influences, none of which seemed to be the case! Max describes what brought him home to Andersen Press, the freedom of children’s picturebooks and his particular way of working, the irony of the white canvas, his attachment to certain symbolic motifs such as apples and blackbirds, and his affinity with the creatures that make up the universally popular and internationally acclaimed Frog series.
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机译：最近已故的伟大的Max Velthuijs于2004年4月拍摄，与Victoria de Rijke和Howard Hollands讨论了他的作品，后者开始接受采访，希望Max能够在某些艺术和文化影响下工作，似乎情况并非如此！马克斯（Max）描述了他带回安徒生出版社（Andersen Press）的原因，儿童图画书的自由以及他特殊的工作方式，白色帆布的讽刺意味，对苹果和黑鸟等某些象征性图案的依恋以及对构成动物的亲和力。享誉全球的Frog系列。
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