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首页> 外文期刊>Bulletin of the Institute of Classical Studies >WAR, SLAVERY, AND EMPIRE IN ROMAN IMPERIAL ICONOGRAPHY
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WAR, SLAVERY, AND EMPIRE IN ROMAN IMPERIAL ICONOGRAPHY

机译:罗马帝国密码学中的战争,奴役和帝国

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摘要

This paper discusses the theme of defeated and captured enemies in Roman art based on a selection of examples from the imperial period. It argues that the relative prominence and frequency of such images can be correlated with historical texts and documents to demonstrate that the taking of captives for enslavement was a significant aim of Roman warfare. Examples of similar iconography from other ancient cultures, in particular the Neo-Assyrian Empire, are compared to suggest that a preference for motifs celebrating the acquisition of slaves through warfare is a general characteristic of the commemorative art of ancient imperial cultures.
机译:本文从一系列帝国时期的例子中讨论了罗马艺术中被击败和被俘虏的敌人的主题。它认为,这类图像的相对突出性和频度可以与历史文本和文献联系起来,以证明劫持俘虏是罗马战争的重要目标。比较了其他古代文化,特别是新亚述帝国的类似肖像的例子,表明对通过战争获取奴隶的图案的偏爱是古代帝国文化纪念艺术的普遍特征。

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