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Music and the Aural Arts

机译:音乐与听觉艺术

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摘要

The visual arts include painting, sculpture, photography, video, and film. But many people would argue that music is the universal or only art of sound. In the modernist era, Western art music has incorporated unpitched sounds or ‘noise’, and I pursue the question of whether this process allows space for a non-musical soundart. Are there non-musical arts of sound—is there an art phonography, for instance, to parallel art photography? At the same time, I attempt a characterization of music, contrasting acoustic, aesthetic, and acousmatic accounts. My view is that there is some truth in all of these. I defend the claim that music is an art with a small ‘a’—a practice involving skill or craft whose ends are essentially aesthetic, that especially rewards aesthetic attention—whose material is sounds exhibiting tonal organization. But acoustic and acousmatic accounts help to distinguish between music and non-musical soundart, since music must have a preponderance of tones for its material.
机译:视觉艺术包括绘画,雕塑,摄影,录像和电影。但是许多人会认为音乐是声音的普遍性或唯一性。在现代主义时代,西方艺术音乐融合了刺耳的声音或“噪音”,我一直在追问这个过程是否为非音乐声音艺术留出空间。是否有非音乐的声音艺术?例如,平行艺术摄影是否有艺术唱片?同时,我尝试对音乐进行表征,对比声学,美学和声音方面的表现。我的观点是所有这些都有些道理。我主张音乐是一门“ a”的艺术,这是一种涉及技巧或工艺的实践,其目的本质上是美学,尤其是对美学的关注有所回报,而这种材料的声音表现出音调的组织。但是,声学和非声学帐户有助于区分音乐和非音乐声艺,因为音乐的材料必须以音调为主。

著录项

  • 来源
    《The British Journal of Aesthetics》 |2007年第1期|46-63|共18页
  • 作者

    Andy Hamilton;

  • 作者单位

    Andy Hamilton Department of Philosophy Durham University Durham DH1 3HP UK;

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  • 原文格式 PDF
  • 正文语种 eng
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