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The Restored Yale Center for British Art

机译:耶鲁恢复英国艺术中心

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By the time Louis Kahn designed the Yale Center for British Art in New Haven, Conn., the 69-year-old architect was already legendary. His priestly pronouncements ("What does a brick want to be?"), often delivered to his rapt students at the University of Pennsylvania, mystified his career, and virtually tattooed his late buildings with oracular certainty. When the 114,000-square-foot center was completed, posthumously, on Chapel and High Streets in 1976, an aura of wisdom surrounded the structure. Faced with pewter-colored, matte steel panels set in the gridded, four-story concrete-frame structure, the building was serene, a timeless classic of understatement. The facades, with their muted, patinated surfaces, deferred to the tall Gothic arches of the Old Yale Art Gallery (1928) on the opposite side of Chapel, and the building's serenity spoke to Kahn's own brick-walled Art Gallery (1953), a quiet, considerate extension of the old museum.
机译:路易斯·卡恩(Louis Kahn)在康涅狄格州纽黑文(New Haven)设计耶鲁大学英国艺术中心时,这位69岁的建筑师已经成为传奇。他经常在宾夕法尼亚大学向他的速成学生分发神职人员的声明(“一块砖头要成为什么?”),使他的职业生涯变得神秘,并且几乎用口头确定性刺穿了他后来的建筑物。 1976年,在教堂和大街上完工时,这座114,000平方英尺的中心落成,整个建筑散发出智慧的光环。面对铅灰颜色的磨砂钢板,镶嵌在网格状四层混凝土框架结构中,建筑宁静,这是轻描淡写的永恒经典。立面的表面采用哑光哑面,顺应教堂对面的老耶鲁美术馆(1928)的高哥特式拱门,而这座建筑的宁静则与卡恩(Kahn)自己的砖墙艺术馆(1953)说话,安静,体贴的旧博物馆扩建。

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  • 来源
    《Architecture》 |2016年第7期|99-100102104106108|共6页
  • 作者

    Joseph Giovannini;

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