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Another Utopia -We have failed to make a Utopia out of architecture

机译:另一个乌托邦-我们未能从建筑中制造出乌托邦

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摘要

After getting a master's degree at Harvard University in summer of 1953,I spent a year living and working in New York, a city I had dreamed about. In the sixty-odd years that have passed since then, I have had countless opportunities to stay in New York, at times for a few days and at other times for weeks. Particularly in recent years, a number of projects there have led to many visits to the city. One day, however, I suddenly found myself wondering what the primary landscape of New York is for me. It is not the image of skyscrapers crowding Manhattan. Instead, it is spacious Central Park; the Sculpture Garden in the old Museum of Modem Art; the skating rink in Rockefeller Center; Washington Square, the gateway to the Village, and the sight of seniors leisurely enjoying chess there; and Gramercy Park, which Gramercy Park Hotel, the hotel I stayed at for a workshop lasting several weeks at Columbia University in the 1970s, looks out on. These open spaces have been constants, even as neighboring buildings have sometimes changed.
机译:在1953年夏天获得哈佛大学的硕士学位后,我在我梦city以求的城市纽约生活和工作了一年。从那以后的六十多年里,我有无数次机会留在纽约,有时是几天,有时是几周。特别是近年来,那里的许多项目导致了对该城市的多次访问。但是,有一天,我突然发现自己想知道纽约对我来说主要是什么。这不是摩天大楼挤满曼哈顿的形象。相反,它是宽敞的中央公园。旧的现代艺术博物馆的雕塑花园;洛克菲勒中心的溜冰场;华盛顿广场(Washington Square),是通往村庄的门户,那里有老年人在此悠闲地下棋的景象;还有格拉梅西公园(Gramercy Park),那是我在1970年代在哥伦比亚大学(Columbia University)参加为期数周的研讨会的酒店的格拉梅西公园酒店(Gramercy Park Hotel)的所在地。这些开放空间一直是常数,即使相邻建筑物有时已更改。

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  • 来源
    《建築と都市》 |2016年第554期|5-10|共6页
  • 作者

    Fumihiko Maki;

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  • 正文语种 eng
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  • 入库时间 2022-08-17 23:46:29

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