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Australian educators abroad

机译:澳大利亚教育者在国外

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摘要

How we perceive the cultures and spaces around us is largely determined by mediums of fiction and entertainment. These extraordinary shared languages are the vehicles through which we exchange ideas and engage with our environment. It is impossible to underestimate the importance of media in the production of culture. In film, video games and literature, we have always imagined alternative worlds as a means to understand our own world in new ways. Architects once speculated on the impacts of industrialization and then mass production. Now, the forces that shape our cities and spaces fall, to a large extent, outside the remit of what we traditionally understand as architectural practice. In the context of network technologies, autonomous infrastructure, immersive and pervasive media and a collapsing climate, it is urgent that we widen the scope of architecture beyond buildings alone. Too often, architecture programs are training students for a profession that no longer exists or that is, at best, struggling to remain relevant. Why shouldn't architects design the next Hollywood blockbuster or virtual reality environment, video game landscape, marketing campaign or network platform? Ideology rarely evolves at the same pace as technology but, through these practices, we can imagine and speculate on the implications and consequences of these systems. In this way, storytelling is a critical act of architecture.
机译:我们如何让我们周围的文化和空间受到基本上由小说和娱乐的中等决定。这些非凡的共用语言是我们通过交换思想和与我们的环境进行融合的车辆。不可能低估媒体在文化中的重要性。在电影,视频游戏和文学中,我们始终想象替代世界,作为以新的方式理解我们自己的世界的手段。建筑师曾经推测有关工业化的影响,然后批量生产。现在,塑造我们的城市和空间的力量在很大程度上,我们传统地理解建筑实践的汇款之外。在网络技术的背景下,自主基础设施,沉重和普遍的媒体和坍塌的气候,迫切需要扩大超越建筑物的建筑范围。经常,架构计划是培训学生的一个职业,即不再存在或最能努力保持相关性。为什么建筑师不应该设计下一个好莱坞大片或虚拟现实环境,视频游戏景观,营销活动或网络平台?意识形态很少发展与技术相同的步伐,而是通过这些做法,我们可以想象并推测这些系统的影响和后果。通过这种方式,讲故事是建筑的重要行为。

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    《Architecture Australia》 |2020年第1期|60-63|共4页
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  • 入库时间 2022-08-18 22:00:31

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