The colourful, blob-shaped plastic 'cloud' of Selgas Cano's Youth Factory on the outskirts of Merida, Spain, and the sober massing of Jose Maria Sanchez Garcia's Perimeter Building around the ruins of the Roman Temple of Diana, in the city's centre, appear to come from two opposing worlds. Both projects are magnets, but for entirely different audiences. Selgas Cano's Youth Factory attracts crowds of local teenagers: a skate park designed for rollerblading, skateboarding, cycling, wall climbing, dance, street theatre, electronic music, graffiti and so on. For its part, Sanchez Garcia's Perimeter Building creates a dignified urban setting for this neglected monument amid the dense jumble of the old city.
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机译：出现在西班牙梅里达郊区的Selgas Cano青年工厂的彩色，斑点状塑料“云”，以及市中心附近戴安娜罗马神庙遗址周围约瑟·玛丽亚·桑切斯·加西亚（Jose Maria Sanchez Garcia）周边建筑的清醒集结来自两个对立的世界。这两个项目都很吸引人，但是针对完全不同的受众。塞尔加斯卡诺（Selgas Cano）的青年工厂吸引了大批当地青少年：一个滑板公园，专为溜旱冰，滑板，骑自行车，攀岩，跳舞，街头戏剧，电子音乐，涂鸦等而设计。就其本身而言，桑切斯·加西亚（Sanchez Garcia）的周边建筑在这座老城区密集的混乱之中，为这座被忽视的纪念碑创造了一个端庄的城市环境。
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