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Comparative study of the luminous environments of vernacular architectures in China and the United States at 30th parallel north

机译:北纬30度的中美本土建筑的发光环境比较研究。

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摘要

The vernacular architectures in the Eastern and Western worlds are closely related to their respective unique cultures, local climates and environments. To create some new idea collisions on the efficient use of the light environment and promote the interpretation of such vernacular architectures for modern architects, the luminous environments of two typical vernacular architectures, one in China and one in the United States, were studied. By combining experimental measurements and computer simulations, the luminous environments were explored with a focus on the aspects of natural illumination conditions and the effects of windows and orientation. The illumination conditions of the China Meishan Cultural Park farmhouse (designated as the CMCP farmhouse) in China and the Magnolia Mound Plantation house (designated as the MMP house) in the United States were found to generally meet the IES standards. Furthermore, less artificial lighting and more uniform illumination across the entire gallery were advantages in the MMP house. The lateral windows of the house were beneficial in that they provided more natural lighting and were more conducive to the spread of illumination, but this was not the case for the dormer window. To some extent, the east-west orientation favoured more natural illumination, while the illumination distribution in the south-north orientation was more uniform.
机译:东方和西方世界的乡土建筑与各自独特的文化,当地的气候和环境密切相关。为了在有效利用光环境方面产生一些新的观念冲突,并促进现代建筑师对这种白话建筑的诠释,研究了两种典型的白话建筑的发光环境,一种在中国,另一种在美国。通过结合实验测量和计算机模拟,探索了发光环境,重点是自然照明条件以及窗户和方向的影响。发现中国的中国眉山文化公园农舍(指定为CMCP农舍)和美国的木兰丘陵种植园的房屋(称为MMP房屋)的照明条件总体上符合IES标准。此外,MMP房屋的优点是更少的人工照明和整个画廊更均匀的照明。房屋的侧窗是有益的,因为它们提供了更自然的照明并且更有利于照明的散布,但天窗则不是这种情况。在某种程度上,东西方向倾向于更自然的照明,而南北方向的照明分布更均匀。

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