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The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts

机译:个体差异在专家判断计算机辅助音乐表演表现力中的作用

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摘要

Computational systems for generating expressive musical performances have been studied for several decades now. These models are generally evaluated by comparing their predictions with actual performances, both from a performance parameter and a subjective point of view, often focusing on very specific aspects of the model. However, little is known about how listeners evaluate the generated performances and what factors influence their judgement and appreciation. In this article, we present two studies, conducted during two dedicated workshops, to start understanding how the audience judges entire performances employing different approaches to generating musical expression. In the preliminary study, 40 participants completed a questionnaire in response to five different computer-generated and computer-assisted performances, rating preference and describing the expressiveness of the performances. In the second, "GATM" (Gruppo di Analisi e Teoria Musicale) study, 23 participants also completed the Music Cognitive Style questionnaire. Results indicated that music systemizers tend to describe musical expression in terms of the formal aspects of the music, and music empathizers tend to report expressiveness in terms of emotions and characters. However, high systemizers did not differ from high empathizers in their mean preference score across the five pieces. We also concluded that listeners tend not to focus on the basic technical aspects of playing when judging computer-assisted and computer-generated performances. Implications for the significance of individual differences in judging musical expression are discussed.
机译:数十年来,用于生成表达性音乐表演的计算系统已经得到研究。通常通过从性能参数和主观角度将这些预测与实际性能进行比较来评估这些模型,这些评估通常侧重于模型的非常具体的方面。但是,关于听众如何评估所产生的表演以及影响他们的判断和欣赏的因素知之甚少。在本文中,我们将在两个专门的研讨会上进行两项研究,以开始理解观众如何使用不同的方法来产生音乐表现力来评判整个表演。在初步研究中,有40名参与者填写了一份问卷调查表,以回答五种不同的计算机生成的和计算机辅助的表演,评级偏爱并描述表演的表达方式。在第二项“ GATM”(Gruppo di Analisi e Teoria Musicale)研究中,有23名参与者还填写了“音乐认知风格”问卷。结果表明,音乐系统化者倾向于根据音乐的形式方面来描述音乐表达,而音乐共情者倾向于根据情感和性格来报告表现力。但是,高系统化者与高共情者在五个方面的平均偏好得分没有差异。我们还得出结论,在判断计算机辅助表演和计算机生成的表演时,听众往往不会专注于演奏的基本技术方面。讨论了个人差异在判断音乐表现力方面的意义。

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