随着旅游经济大潮的兴起,许多传统民族民间艺术转变自己,面向游客开发旅游产品,找到了一条依托旅游经济平台生存的新路径,这一过程导致其传统形态发生了巨大的变化。本文以石林彝族撒尼刺绣开发为旅游商品的历程为例,通过分析几种有代表性的生产经营模式对刺绣传统形态的改变,说明在当前的旅游市场特征下民族艺术传统形态变化的必然性。%With the development of tourism economy tide arisen, many of the traditional folk art matters change myself, for tourists and development of tourism products, to find a relying on tourism economic platform survive the new path, this process leads to its traditional form produced tremendous change. In this paper, Shilin Yi Sani embroidery for the development of the tourist commodities course as an example, through the analysis of several representative production and operation mode of the traditional embroidery morphological alterations, illustrated in the current tourism market characteristics of traditional national art form change inevitability.
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