This article explores the protagonist, Celie, in Alice Walker’s The Color Purple. Celie who is ugly, lacks of mother’s love, and oppressed in a universe of men. She admires Shug who is a beautiful woman. According to Lacan’s theory, Celie’s love for Shug is a metonymic hunting for her mother’s body. Celie’s hunting process is along the metonymic chain of signifiers. And finally Celie finds her happiness even though the chain of signifiers continues.
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