王安忆的《启蒙时代》叙述的是南下革命干部子弟与市民社会相遇的故事。它细腻地表现出革命后新的时代语境下市民社会的特点。革命在中国城市的目标首先体现为“将消费的城市变成生产的城市”，清除与劳动者无关的滋生堕落的消费场所和空间。也因此，上海在1960年代发展出新的市民生活方式，以前的资产阶级趣味蜕变成一种含蓄的生活情趣和美学上的享受，特殊经历和经验转化为一种颇具魅力的气质。而相形之下，那种抽象精神，似乎没有什么魅力可言，那些秉承这类抽象精神的干部子弟们投入到市民社会的汪洋大海中，摆脱了抽象的纠缠，获得一个自然的、人性的自我。如此，革命似乎不是为了超越市民社会，相反，在某种意义上，革命是为了回归市民社会。革命和启蒙是什么样的关系？谁“启”谁的“蒙”？《启蒙时代》给了我们深刻的启示。%1Wang Anyi＇s ＂ Age of Enlightenment＂ narrative is the south revolutionary cadres and civil society meet children＇s story. It is fine demonstration of the new era of post - revolutionary context of the characteristics of civil society. The target revolution in Chinese cities is reflected as ＂the city into the production of consumer city＂ , has nothing to do with workers clearing fallen breeding place and space consumption. As a result, the development of Shanghai in the 1960s, a new public life, before the bourgeois taste of life transformed into a subtle taste and aesthetic enjoyment, special experience and experience into a rather attractive temperament. The contrast, the kind of abstract spirit, seems to be no charm at all, those adhering to the spirit of the cadres of these sons of the abstract into the sea of ？？ civil society, free from the entanglement of the abstract, to get a natural, human self-. So, the revolution does not seem to go beyond the civil society, on the contrary, in a sense, the revolution is to return to civil society. Revolution and the Enlightenment is what kind of relationship？ Who is ＂Kai＂ who ＂kept＂？ ＂Age of Enlightenment＂ has given us a profound insight.
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