毛传、郑笺对《诗经》中“鸟”意象的训释及其诗学影响

摘要

毛传、郑笺对《诗经》中“鸟”意象的训诂具有汉代经学阐释的基本特征，不仅通其名实、状其形貌，而且辨其修辞、明其义理。其对“鸟”意象所作的符合儒家美刺原则的选择性训释，确立了《诗经》中“鸟”意象与诗意之间的比兴关联，对后世传统诗学中有关“鸟”的意象、主题等方面的传承，都产生了极其深刻而又长远的影响。%MAO Zhuan, and ZHENG Jian’ s annotations on the“bird” image in the Book of Songs have the basic characteristics of the Confucian classics interpretation in Han dynasty.It not only told the name and reality and described the image, but also indicated the rhetoric and illustrated the principles.Their selective annotations on the“bird” image conformed to the praise and satire principles of Confucian, and established the metaphor and analogy correlations between the image and poetry of“bird” in the Book of Songs.This correlation has had an extremely profound and long-lasting impact on the inheritance of the“bird” in future generations in aspects of image and themes etc..