二十世纪初期的美术改良论述评

摘要

二十世纪初期，中国文化界和美术界对美术改良各立新说，派别纷起，政治改良派的康、梁的美术批评起到了积极直接的启蒙作用，鲁迅和陈独秀等革命激进派对美术的功能作了深入的论述，林风眠和徐悲鸿等美术大师以自己的中西结合的美术理论和实践，奠定了中国新美术的基础。%In the early twentieth century Chinese cultural and fine arts circles established a new theory on Fine Arts improvement respectively and they were divided into many schools. Political reformists Kang and Liang's art criticism plays an important role in active and directive enlightenment. Revolutionary radicals such as Luxun and Chen Duxiu have conducted in-depth discussion on the function of fine arts. Fine arts masters such as Lin Fengmian and Xu Beihong have laid a solid foundation for new Chinese fine arts with their own Chinese and Western combined theory and practice on fine arts.