“赵树理方向”与“赵本山现象”之比较——兼及文艺大众化问题的思考

摘要

在特殊历史文化背景中生成的＂赵树理方向＂和＂赵本山现象＂,有着不同的时代背景和复杂的社会历史原因,但在文艺大众化的实践过程中更具有一致性,它们都不约而同地聚焦于＂大众化＂：农民的话语和民间的艺术形式。赵树理和赵本山的成功就在于他们进行着一种＂还文化给大众＂的努力,以现世性、民众化和普遍受益性为主要内涵的世俗化得到了进一步发展,从而以自己的作品成功地实现了文艺大众化。%The phenomena of ＂Zhao Shuli direction＂ and ＂Zhao Benshan phenomenon＂ came into being in the special historical and cultural background,though different in the background and time,they are of the same in the time of literary popularity.They focus on ＂the popularity＂： that is,farmer＇s words and folk artistic form.Zhao Shuli＇s and Zhao Benshan＇s success lies in that they try to dedicate their literary works to the mass,further developing the meanings of popularity and making their literary work popular.