钟嵘《诗品》：中国诗学观念“自觉”的里程碑——以《毛诗序》与《诗品序》比较为中心的探讨

摘要

本文通过比较《毛诗序》与钟嵘《诗品序》在诗歌感物论、六义论、诗体论、诗教论等方面的相关论述,探讨了《诗品序》之于《毛诗序》论断的借用与回避、发挥与偏离,从中发现两者在基本诗学观念方面的巨大差异,从而阐发诗学观念＂自觉＂的基本内涵,进而分析从先秦两汉到魏晋南北朝诗学＂自觉＂的多重历史动因,以期可以管窥魏晋南北朝诗学之巨大进步。%Lu Xun put forward the concept of literary self-consciousness in his article Wei-Jin Demeanor and Relationships among Articles,Drugs and Alcohol.Based on these,the author stated the concept of self-consciousness and illustrated the reasons appeared in the Wei and Jin Dynasties.Chapter II focuses on studying the related discourses of Mao＇s Poetic Preface and Zhong Rong＇s Grades of Poetry in the sense of objects of poetry,theory of six meanings,poetic theory,poetry education and so on,and explores borrowing and avoiding,bring into play and deviation in the preface of Grades of Poetry,from the basic concept of poetry found the great difference between the two,and thus elucidates the basic connotation of poetic concept ＂self-consciousness＂,and then analyzes multiple historical causes about poetics self-conscious from the Qin and Han Dynasties to Wei Jin Southern and Northern Dynasties,in order to understand poetics great progress in the Wei Jin Southern and Northern Dynasties.Through a series of comparison,Chapter III obtains the conclusion that Zhong Rong＇s Grades of Poetry is the milestone of Chinese poetry self-consciousness.