论柏拉图爱情观下灵与肉的挣扎--作为柏拉图美学思想方法论的构建

摘要

柏拉图作为古希腊美学思想的系统建构者，提出“理念说”，确立了西方“美之为美”的美学本体论传统。但是，他自己并没有提出明确的方法论，而是将这种思考分散于对一些问题的具体论述中。其中，有关“爱情”的讨论，涉及面广，说理严密，具备着方法论意义上的建构作用，为柏拉图美学思想的现实实践提供了可能性。柏拉图通过对爱情“灵”与“肉”的辩证，基于这种二分的视域与定位，确定了“节制”、“求知”的理想爱情观，并在对疯狂与迷狂、整合与回忆、私欲与生育以及婚姻与羽翼的具体论述中，将这种理念融入现实的政治、家庭以及个人生活等方面，从而形成了“美之为美”美学观下方法论的构建。%As the ancient Greek aesthetician, Plato established the“Theory of idea”, which was the western aesthet⁃ics traditional about noumenon. However, he did not put forward a clear methodology of aesthetics.But the discussion about“love”, involving a wide range of reasoning with rigorous methodology, it provides the possibility for the prac⁃tice of Plato's aesthetic thought. Plato divided the love into“spirit”and“flesh”, and confirmed an ideal love view of“control”and“knowledge”on the vision of dichotomy.And completed the methodology of aesthetics about Plato’s Theory through discuss the problem about“madness/madness”“integration/memories”,“desires/fertility”, marriage/wings and so on.