武之技——徐浩峰武侠电影新论

摘要

不同于传统武侠电影的武术之舞,徐浩峰将武侠电影变"武之舞"为"武之技",以独特的美学风格从诸多武侠电影中脱颖而出,呈现出颇具作者意味的创作.其作品《倭寇的踪迹》《箭士柳白猿》《师父》以凌厉蕴气的武打设计、复杂多样的形象设定、内藏其中的文化哲思呈现出自成一派的创作态势,为武侠电影的发展带来了新的可能.%Unlike the dance-like wuxia (martial arts) highlighted in traditional Chinese wuxia movies, Xu Haofeng made the transformation from "the dancing of wu" to "the technique of wu", which enabled his unique aesthetic style and individualized creations to stand out. With sharp, swift and powerful action designs, complicated and diverse character images as well as profound civilization and philosophical reflections hidden inside, Xu's The Sword Identity, Arrow Arbitration, and The Master all exude an exclusive style of aesthetics, bringing new possibilities to the development of Chinese wuxia movies.