'美学大讨论'时期李泽厚艺术美学思想简论

摘要

艺术是李泽厚哲学美学的主要研究对象,也是检验其美学理论有效性的理想场所.在"美学大讨论"时期,李泽厚通过对艺术与现实的关系、艺术形象与典型、艺术的美学范畴等基本问题的美学阐释,将讨论的话题由抽象哲学引向了具体艺术问题、由美的本质论延伸到美的艺术功能论,不仅丰富和深化了自己前期的美学思想,也有效地批判和指引了当时的美学讨论、艺术创作和审美趋向.考察"美学大讨论"时期李泽厚的艺术美学思想,不仅能准确把握其美学思想的艺术之维,也能更好地看清其对唯心论美学和庸俗社会学或形式主义文学研究的批判,以及对优秀的中国古代文艺批评传统的继承与倡导,更好地理解其对新中国初期的美学研究、古典文学研究以及文学理论研究等所发挥的积极引导作用.%Art is the main research object in Li Zehou′s philosophical aesthetics as well as the optimal site where his aesthetic theory can be effectively verified.In "Grand Aesthetic Discussion",Li Zehou directed the discussion topics from abstract philosophy to speicfic art problems,from the essence of beauty to the art function through the aesthetic explanation to the basic questions such as the relationship between art and reality,art image and type,art′s aesthetic category,etc,which not only enriched and deepened his previous aesthetic thought,but also effectively criticized and guided the temporal aesthetic discussion,art creation and aesthetic tendency.The study to Li Zehou′s art aesthetics theory in" Grand Aesthetic Discussion" can not only help us grasp precisely the artistic dimension of his aesthetic thought,but see preferably and clearly his criticism to idealistic aesthetics,vulgar sociology or formalist literary research,and his avocation to the inheritance of excellent Chinese tradition of ancient literary and art criticism,which undoubtedly gave a positive guidance to the research of aesthetics,classical literature and literary theory in the early period of new China.