城市：身体与空间的双向互动--朱天心的台北认同书写

摘要

Authors’ urban space is a space full of life characterization. In representational space, body is the intermediary among a person, space and space created by cognition. The movement of body will brand in the space. We walk in the city, close to the daily life of the city, so that the memory of city becomes more colorful with personal feeling.In Zhu Tianxin’s "ancient"and "Hungarian water", it presents the city in two sides, visual experience and smell perception. Zhu Tianxin looking upon the body as media, through hanging around the city recalls the memory of childhood life in Taipei The search starts with one's own body, connected to the land he lives, and a self-identity arises.%作家笔下的城市空间是一种富有生命的表征空间。在表征空间中，身体是人与空间、感知塑造空间的唯一中介，身体的运动会烙印在空间之上。人塑造和丰富着空间环境，空间也生产和塑造着人。身体在城市中行走，贴近城市的日常生活，串联起城市的空间，使静态的空间成为带有个人情感色彩的动态记忆。朱天心的《古都》、《匈牙利之水》，分别从穿城走巷的视觉体验和嗅觉感知两个角度书写了对台北的认同。朱天心借由“我”的身体行走于日常生活的空间，以身体为媒介，通过视觉和嗅觉勾勒出自己的童年生活记忆。寻找从自己的身体出发，与生活的土地连接而产生认同的可能。