首页> 中文期刊>南京理工大学学报(社会科学版) >蔽合的“在”与敞开的“无”——以田桑诗歌《藏身于木箱的火》为例

蔽合的“在”与敞开的“无”——以田桑诗歌《藏身于木箱的火》为例

     

摘要

悖论元素被看做是构成诗歌文本张力的最重要因素之一,田桑在诗歌《藏身于木箱的火》中则通过对记忆的书写向我们展示出悖论在世界、事物、诗歌与我们个体之间所造成的奇妙关系:诗中事物在逻辑构成上是悖论的,事物本性与人类情感是悖论的,诗对事物的敞开与蔽合之行动永远处在悖论之途中。在他的诗歌中对悖论的言说由诗歌本体延伸到对人类自身现世处境中诸多矛盾现象的思考,并进一步引发了我们对悖论之态度的思考。%Paradoxes are often regarded as one of the most important factors in a poem's tension.Poet TIAN Sang showed us the subtle relationship constructed by paradoxes between the world,things,poetry and human individuals through describing memories in the poem Fire Hidden in the Wooden Case.Paradoxes are ubiquitous in the poem: in physical entities' logic construction,in natural dispositions and human emotions,and in a poem's concealing and disclosing natural phenomena.In his poem,his reflections on paradoxes are extended from poetry ontology to contradictory phenomena of human existence,which further triggers us to dwell on our attitudes towards paradoxes.

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