This paper analyzes the phonological approaches towards Chinese metrical poetry,from linear to non-linear,and then adopts the methods proposed by metrical phonology to point out some problems in the present re-search. At last it argues that the parameter for constructing metrical grid is tone and it tries to take the non-linear approach to put the last syllable of the five-syllable lines into another layer to get the textual effects.%本文介绍格律诗研究的音系学方法,从线性音系学到非线性音系学,指出各自的缺陷,提出位于诗行末的押韵音节应在不同层面处理.早期线性音系学方法不能解释底层节律模式转换动因,非线性音线学方法往往没有解决联间声调序列的严格顺序.本文认为目前的研究忽略了最后一个押韵音节与节律的关系,因而试图根据格律诗字数的演变,提出五言诗句末音节和其它音节不在同一平面,采用叠加层面的方法对其进行分析.
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