20世纪30年代末，随着全面抗战的爆发，内地大批的学者、艺术家、学生来到西南边陲之地——云南，边地云南也由此为这些“外来者”所关注。对于在西南联大学习、工作了七年的“外来者”鹿桥而言，云南的山水、气候、风俗等等给他留下了极为深刻的印象，所以，在他的小说《未央歌》中常常不吝笔墨地描写、展现云南独特而绚丽的自然、人文景观。而《未央歌》中所呈现的边地云南是诗意的、浪漫的，本身具有青年文化的内在特质，虽然作家对边地充满兴趣，但相对于中原、中原正统文化，边地却依然是一个“他者”。这使得鹿桥笔下的“云南”与同时代作家笔下的“云南”既相似又多独树一帜之处，体现出创作者特有的文化心态与文化立场。%In the late 1930s, with the outbreak of the Comprehensive Anti-Japanese War, large numbers of scholars, artists, and students came to the borderland of southwest Yunnan, and rimland of Yunnan thus drew the attention from these “outsiders”. For the“outsider” of Lu Qiao, who has learned in Southwest Associated University and has worked for seven years, Yunnan landscape, climate, customs and so on has left a very deep impression on him, thus in his novel of Wellyoung, he has depicted and shown unique and gorgeous natural and human landscape in Yunnan in an appropriate way, and the rimland Yunnan presented in Wellyoung is poetic and romantic, with the intrinsic qualities of youth culture in itself. Although the writer shows great interest in rimland, compared with Central Plains and its orthodox culture, rimland but is still “the other”. This makes “Yunnan” from the pen of Lu Qiao seem to be similar to it from the contemporary writers, also with distinction, which reflects the unique cultural mentality and position of the creator.
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